Lesson 8 - Playing Techniques
Tablature can be very useful for learning
the techniques that make a simple run of notes turn into a flowing and
expressive piece of music. The following exercises will help you understand how
this these playing styles are written and what noises they make!
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Hammer on

This
technique is used to play two notes in quick succession whilst only
picking the first note. The second note is sounded by the action of your
fretting finger on the string. The note must be hit just behind the fret
for it to sound properly. This is a very important technique for playing
a lot of lead guitar parts and will come in handy for solos! |
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Pull
off
The note is played by
plucking the string with your fretting hand after picking the fretted note
with your right. Pull offs can also be used directly after a hammer on to
sound more than one note with your fretting hand. Practicing the two
together will help you build up a strong fretting hand and increase the
reach of your fingers.
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Bends
You
can use your first two fingers to give support to your third finger
bending the note. Listen to the pitch change and try to get it to the
required note. (This is listed above the curve in the tablature i.e Full
or ½ step). Compare them by playing the required note first, then bending
the 5th fret up to
that pitch. The more you bend the note the higher the pitch will be. Bends
can be used to give emphasis to a lead part by blending two notes into
each other. - Be careful to think about the timing of the bend and how it
fits into the rest of the song!
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Palm
muting
Palm muting works
especially well with a distorted amp setting and is one of the most
important techniques in heavy rock music. It is also used to a lesser
extent in other styles to control how long each note should sound and add
a percussive effect. In order to play the palm muted notes correctly, your
picking hand must be pushed against the bridge and saddles so that when
plucked the strings emit sound but do not ring out. In the tablature the
dotted lines show which notes are to be muted and which to let ring.
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Vibrato
Vibrato
is a great way to add interest and emphasis to a note. There are many ways
to achieve this sound, which should make the note wail and fluctuate in
pitch. You can either quickly bend your finger up and down whilst still
holding the note, or move wiggle your whole hand at the wrist whilst
keeping your finger held taught. In order to hear the note properly you
must have it correctly fretted and picked in the first place. Any muting
by palms or stray fingers will stop the note from ringing.
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Slide
The slide is performed by plucking the note
and then moving the fretting finger up to the next note whilst keeping it
pressed down. This causes each intermediate note to sound as you move your
hand. Slides can be used to quickly change between two notes and are
useful for repositioning your hand to play at different parts of the
fretboard.
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Hamonic
Harmonics are the
higher pitched ringing tones that are produced when a plucked string is
muted slightly as it is played. These usually only sound at certain frets
and their pitch increases with distance from the bridge. To play the
harmonic, lightly touch the string above the fret as it is plucked, then
remove your finger to let the harmonic ring out. The harmonics at the 12th
fret will produce the same note as the open string. Try playing them at
frets 5, 7 and 9 as well.
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Tapping

Tapping
can be used to play many notes in a row on one string using fingers from
your picking hand to perform multiple ‘hammer-ons’. By simultaneously
hammering on and puling off you can keep a continuous flow of notes. This
is an advanced technique that takes some time to practice but if you start
slowly and carefully perform each hammer on and pull off correctly then
they will slowly blend together and away you go!
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In
the following lessons I will show you how to link these different techniques
together into a lead part. Remember to try to get each note sounding properly
rather than just worrying about speed! It is a good idea to think of even simple
exercises as pieces of music that should sound as such, and not just random notes. If
you try to play too quickly then this can lead to sloppy technique and you will
find yourself going back over everything later. Playing carefully and with good
attention to sound will be building up a strong subconscious understanding of
the instrument.
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